All fulfilment is subject to approval by UA. First-generation Apollo Twin Thunderbolt and Arrow interfaces are not eligible. Customers must register before September 15th, 2023, to receive their free plug-ins. This is a brave-new-world for me so please excuse my ignorance įrom what I have seen from Devan’s video above it seems that one option is getting a DX168 and carrying-on inserting analogue onto the extra channels of I/O.Ī few people have mentioned that using ADAT could be better option going forward, and that it may be possible to link the Apollo to the D-live through a Ferrofish Verto32 into my dante card.Offer valid for customers who purchase a qualifying new Apollo Solo HE, Apollo Solo USB HE, Apollo Twin MkII DUO HE, Apollo Twin USB HE, Apollo Twin X DUO HE, Apollo Twin X QUAD HE, or Apollo x4 HE from an authorized UA retailer between June 1st and August 31st, 2023. I have bought a pair of SPDIF to xlr cables so I can link to the digital in’s on the D-live, which buys me a couple of channels but am looking for a solution that will give me more options to fully utilise the Apollo x8. I have a couple of balanced TRS jack to xlr looms (one male xlr, one female) that I have been connecting the Apollo to the D-live surface with, but as I am utilising one of the local inputs for a talk-back mic I only have 5 inputs left to play with on the D-live. It’s been working well most of the time – especially when I had a rented c3500 for a run and didn’t have to plumb it in fresh every day! 43K views 6 years ago If you’re using Steinberg Cubase or Nuendo with a Thunderbolt Apollo on a Mac, this video is for you. So far I have been using it mainly to insert into certain key channels (vocal and kick-drum) and onto my group buses on a large selection of house-desks. I have an Apollo x8 that I have been utilising live the past 6 months as a FOH touring engineer. Our new flagship Thunderbolt 3 audio interfaces, featuring elite-class A/D and D/A conversion, new HEXA Core UAD plug-in processing.
There is NO documentation on this anywhere by the way. Mixers have enough other jobs to do these days.
Otherwise you need a dedicated person to stand there half of the time to change keys and tweak things. Also, I personally have spent many hours discovering how to run AutoTune RealTime with MIDI. In this way you can route wet and dry signal wherever you need it. You can then choose to either add plug ins to those channels or not. Once you achieve your preferred method of getting signal into the UAD hardware (it often becomes confusing as to where to place the computer and we ended up needing two computers with screen sharing), use the UAD “console” app on your Mac to assign other mixer channels to the same input (if you’re using a twin or other small unit just create some virtual channels instead with the same input but you’ll probably have to get tricky with the output assignments). It’s best to view it as some kind of outboard gear with multiple outputs. We have been using UAD Apollo rack mounts and AutoTune RealTime extensively.
0 kommentar(er)
